Download: Sense Occasion Harold Prince eBook (ePub, KINDLE, PDF) + Audio Version

  • File Size: 9830 KB
  • Print Length: 343 pages
  • Publisher: Applause Theatre & Cinema Books (August 1, 2017)
  • Publication Date: August 1, 2017
  • Language: English

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The curiously lifeless book, packed with names, but bereft of interesting anecdotes (and there must be a multitude of those! ). We have seen and enjoyed almost all of Mr Prince's Broadway shows--but none of their joy comes through here. A pity... as he is obviously excellent at what he will., A great insight into the world of theatre. The person has been so much a part of the theatre world but continues to be self deprecating with no airs and graces. Totally honest about his flops and successes. A great read., Really disappointing. Skimpy, sloppy, not worthy of Mr. Royal prince., Excellent and obligatory for anyone employed in Musical Theater, While most customers are probably only aware of Hal Prince (if they are conscious of him at all) because the director of Andrew Lloyd Webber's " The Phantom of the Opera" in London and on Broadway, in his 70+ (and counting! ) career, he has been one of the main figures in 20th century musical theater, producing and directing classics as " West Side Story, " " The Funny Thing Happened on the Way to the Forum, " " The girl Loves Me, " " Fiddler on the Roof structure, " " Cabaret, " " Company, " " A Little Night Songs, " " Sweeney Jake, " " Evita, " and, of course, " The Phantom of the Opera. " Anyone who loves musical theatre owes an immense debt of gratitude to this man, and " Sense of Celebration, " which spans his career throughout the golden age group of Broadway and beyond, is infinitely as engrossing as any one of those shows.

" Sense of Occasion" is in a sense two books, and neither one is an autobiography, at minimum in the typical sense: the first twenty-six chapters, each covering an individual show, are reworked from his earlier book. " Contradictions, " published in 1974, while the remaining nineteen are new, covering the productions from 1974 to the present. Regardless, they are all tied together by Prince's brisk, simple, unpretentious, and energetic writing style, which keeps the book moving at a good pace. As his long career attests, Royal prince, who professes himself to be a future-oriented optimist and something of a workaholic, evidently loves what he does, and his passion shows in his writing. While his personal findings, insights, and opinions are certainly not lacking, Prince focuses far more on his shows than himself, and acknowledges his flops and failures as candidly as his visits, both refreshing changes from most memoirs/autobiographies. Self-centered this individual evidently is not. Exactly what I found most interesting about this approach has been able to see how well balanced Prince's professionalism and understanding of the pragmatic side of developing and directing a Broadway show coexists alongside the greater artistic and creative, a rarity among theatrical people, but undoubtedly the key to his success and well-deserved stature in the theatrical community.

While Royal prince is worthy of reward for so many reasons, in my opinion, it is his desire to tell musical stories that are " about" something and in a means that encourages his audiences to use their imagination that puts him head-and-shoulders above the rest, and makes his shows genuine occasions, as great theatre ought to be. For anyone aspiring to a directorial career, this guide should be required reading. For everyone who is enjoys great facture, this is a treat. As a subscriber to both camps, My answer is without reserve that this is also a of Mr. Prince's unquestionable triumphs. Bravo!, Full disclosure: I'm a Broadway manufacturer and investor, but have not worked with the author and don't know him. I'm sure however consider me to be some of those annoying people who want credit for financing current shows, not like the days where this individual and alone took home the awards and his 175 investors got a check (or didn't in many cases).

The publication is an interesting look back at the author's career - lots of highs, lots of levels, lots of 20/20 hindsight, and lots of axes to grind (some of them more evident than others - I'm estimating as more Broadway reporters read this book, we will find out more - like Arthur Laurent's autobios). Unfortunately, this book probably should have been written two decades back, as the author's career has had very few highs in the last 2 years, which makes the previous 1/3 of the publication kind of a downer and thinly covered.

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Sense Occasion Harold Prince
Average Rating: 4.47
Votes: 8
Reviews: 1