File Size: 585 KB
Print Length: 244 pages
Publisher: Penguin Books (December 31, 2002)
Publication Date: December 31, 2002
Boys and Girls Forever examines several kid's authors and their backgrounds, the particular stories they popularized, plus their characters. Lurie furthermore examines fairy stories, poetry, children's games, and pictures. Unlike Don't Tell the particular Grownups, Boys and Girls forever is weakly created and disorganized. Lurie from time to time gives overviews of the particular author's works (juvenile plus adult) and frequently gives specific histories from the authors, nevertheless without the same conspiracy she managed in her previous book. She proceeds to have glaring absences in the authors the girl considers (still not Twain, Roald Dahl, Lois Lowry, Judy Blume, EB White). But even the ones she includes are desperatly lacking. Her essay on Dr. Seuss is one of the weakest I've read. She approached the particular authors in her final book with the similar kind of passion kids approach their works together. Typically the only one she came even close to carrying out this with was Honest Baum. But her Doctor. Seuss piece felt like filler. Actually, most of the particular book felt like filler. There's no common line for the stories of those authors. I thought the girl was going to discuss the child-like mind these authors experienced to have, but the girl only rarely shoves within some mention of their own minds as she produces.
The last chapters not really about a certain author were weak, felt added on, and didn't carry on any theme. It's as though she got a contact from her editor plus was told she necessary more chapters and the girl knew she wasn't heading to write another book on children's lit, therefore she threw in something weak about play, pictures, and fairy tales. This weakened her theme irreparably. Furthermore, her books would greatly reap the benefits of illustrations-she freely describes images from textbooks, especially picture books, nevertheless without a familiarity associated with the actual work, her descriptions are not enough enough for the readers to visualize the images.
This book seemed cobbled collectively and less impassioned than Don't Tell the Adults. If Don't Tell the particular Grown-Ups was Lurie's last term paper, Boys plus Girls Forever was your quality she knew the mentor was going to decline. She needed to locate a theme and adhere to it., I just finished this, and adored it, loved it, adored it! Alison Lurie, apart from being a great author, teaches Children's Literature in Cornell. This book "deconstructs" classics such as Tiny Women, The Wizard associated with Oz, Charlotte's Web, and so on, with such acute observations that it was a great happiness to read. Needless to say the particular book talks about Harry Potter and the criticism it offers received from certain religious circles. This will be not new in kid's lit: The Wizard associated with Oz suffered the same kind of judgment. It was interesting to see how nothing is new in the world of religious intolerance.
One of the chapters about which i has been most conflicted was the particular one dealing with illustrations. Lurie acknowledges which it would end up being disingenous to expect fairy tales without pictures. Yet , images steal away through the imagination development that will kids would enjoy normally. I read a fairytale a million years ago, exactly where the princesses wore gowns "the color of time". I vividly remember the particular internal debate i experienced in my head seeking to decide what color period would be (i satisfied on pearl grey). Images would not have provided me that mental gymnastics. In a sense, we believe that fantasy will be like gymnastics for that mind of a little one. Reality is what you notice every day. Fantasy will be what you need to be able to come to terms because you grow up. To carry on a psychological fight trying to overcome what is real plus what is fiction will be a valuable exercise regarding a developing mind. Plus besides, adults are usually readily available for "reality checks"., We was very impressed along with Ms. Lurie's previous book, Don't Tell the Adults, because she recognized plus applauded the inherent subversion of great children's literature. I would have chucked any book that the particular anti-Harry Potter forces loved, with namby-pamby characters that ALWAYS followed the rules - straight into the gift bin - only because I NEVER throw textbooks in the garbage. This guide picks up on the particular same theme, showing that will books such as Tiny Women, which are regarded as "sweet and sentimental" today, were actually quite revolutionary for that time they were written. In addition, she looks in the lives from the writers and the influences to them. I certainly never realized that L. Frank Baum's spouse and mother-in-law were open feminists, which probably clarifies the presence of therefore many strong female figures in his work, occasionally to the detriment associated with the males.
The book also has chapters on a few authors along with whom I have zero acquaintance but whose function I might be interested within checking out someday, as well as several interesting essays on subjects such as play ground lore, illustrators of kid's books, and poetry by simply as well as for children.
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