File Size: 84604 KB
Print Length: 208 pages
Publisher: DC; 52nd ed. edition (March 26, 2013)
Publication Date: March 26, 2013
Batman battles original foes and an interesting take on the Wayne family never before seen that can compare with this. Batman doesn't win just because he's Batman, neither is he or she portrayed as unbelievably invincible in fights. He starts off the story beaten, betrayed by the location he loves and vows to protect. Physically, he is still recovering from his earlier bout with the Courtroom of Owls. Of course , when a villain is revealed to know Bruce Wayne and Batman are the same person, it cannot come to a great surprise he doesn't stick around. Still, the action can feel real and convincingly dangerous; the Talon assassins are unable to die, whereas Batman most certainly can. The conclusion of the Court history is very satisfying.
Presently there is not much to say on Capullo's work, he has improved somewhat on his pieces, which was already more than adequate. The Thrasher Batsuit in particular is visually wonderful. Bruce and company face's convey genuine emotion and help propel the history forward. I was at first hesitant on Capullo as artist, but he has delivered. Additionally, the last chapter detailing the origin and ensuing conflict with Mr. Freeze give Fabok a opportunity to shine. Nightwing and Robin look great, truly looking heroic yet not overdone. The story can feel a little shoe-horned in, but I'm glad it was located at the ending of the story so as not to interrupt the primary arc.
So, with all this praise, why only four stars? For me, it comes right down to two reasons: it's not quite as satisfying as Vol. 1, and two, the Harper Row history. Why don't you enjoy the Jarvis Pennyworth story? It was interesting, the art was a little clunky, but it was a brief and relevant component to the history of the Owls. The Harper Row chapter failed to impress me personally, and I know that sounds arrogant. Batman already has so many excellent supporting characters that Harper, to me, feels unwanted. I will appreciate that POWER has to meet more diverse gender audiences, but I still don't see this as a appropriate excuse. I know Batgirl has her own title, and so she should be doing her own thing, but why not the already established Stephanie Brown or Cassandra Cain? When Oracle was left out of the New 52, a character emptiness was left in her place, and I understand the need to fill it. Harper Row has the tech skills of Oracle, but not the heart. Whilst this may be unpopular, I felt the story was partly created just to prove that DC is handling the relevant controversies of society and appear young and progressive. That's fine, that's what helps the company survive and earn praise and recognition from diversity groups. Still, I felt the 'forcedness' of the addition, and it remaining me kind of scratch my head. This is just one small component of the book, but still, I think was distracting enough to pull focus from the positive aspects., As Bruce Wayne is attacked in his own home by the Court of Owls, so too is the location of Gotham as all the important people that make Gotham tick are hunted down one-by-one in a determined effort by the Courtroom. Batman must stop the assassins loose in the location and, by using the Bat-family, reclaim Gotham!
The Courtroom of Owls attack is still under way and now volume 2 is here encased in a good hardcover with dustjacket like the first volume. This particular book covers issues 8-12 of the Batman series and Batman Annual #1 as well. The Courtroom infiltrating Bruce's home offers a sense of hopelessness to the secrets Batman maintains and the artwork here by Greg Capullo and Rafael Albuquerque really implement the dread and cunning in the Courtroom attack. However, the only real drawback is the transition from Greg to Rafael is not seamless by any means and simply jumps to a different art-style mid-comic. Continuing on, the total annual issue has guest writer James Tynion IV helping Scott Snyder, who wrote everything in the book, formulate the terrible new origin story to Mr. Freeze. The art by Jason Fabok is what saves the issue however the character of Mr. Freeze is forever scarred by way of a changed origin story for the worse. Greg and Rafael continue art duty for the primary story and a nice backstory for Alfred's father and his struggles with the Courtroom. Finally, we certainly have an issue dedicated to a figure named Harper Row with art by Becky Cloonan. Overall, it's a good book and the wide variety of artists definitely doesn't detract from the feel of the writing. The particular Court of Owls storyline could have had a much better ending but overall, was a good ride with the thrill of seeing Mr. Freeze, Penguin, and many others involved in this takeover of Gotham. Definitely a book to pick up and the textless includes and variant gallery in the back of the book make it even better!
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