File Size: 29230 KB
Print Length: 331 pages
Publisher: Peachpit Press; 1 edition (July 9, 2014)
Publication Date: July 9, 2014
I am surprised at good reviews, not because of my personal experience, but of how poorly it's written. Several authors suffer from describing their subject so many times they can get sloppy, lazy, or simply take readers' knowledge of the topic for granted. Don't get me wrong—I have used Apple Pro Training Sequence Books w/ much success before. I guess like everything these days, updates are difficult to keep up with., This is a series of lessons with a digital download, plus its very effective when used as intended, which is like a textbook. Not so effective as a reference book since it is organized by " projects" rather than by tools or outcomes. The index will take you to the part of a project that involves the use of the tool or effect you're looking for, but then you have to follow along for a little to find the specific information you're looking for. That will being said, this publication did serve as my gateway into Garageband and got me in it pretty quickly. I'd have absolutely given it five superstars if it had a reference section in the back for quick lookups., Wow. I am a whole novice to GarageBand. I obtained an sound keyboard for Christmas and thought it would be smart to learn how to make use of it with my Mac. What a course! Martha led me through some very complicated stuff in GarageBand, and kindled (pun intended) a new regard for folks who mix songs. GarageBand is truly powerful, and Mary's book allows you to harness that power. Highly recommended. It's also valuable after completing the training if you can't remember how to do something--just search for it., A reasonably thorough GarageBand dissection. Overall worth the exercise if you wish to familiarize yourself with this reasonably complex program. It got me a couple of weeks to work through the author's exercises. Basic recording is not difficult on GarageBand. Remembering all the nuances available to you is another history. To master the program requires considerable dedication and study. Mary's book will get you started better than most., OK, Need to confess that I have been intimidated for years by GarageBand. In recent months I succeeded, through the help of some YouTube videos, in making a simple two-track recording, but I was still completely intimidated and scared to even touch nearly all of the controls. Then I actually acquired Mary Plummer's publication. She starts by walking you through the down load of all the resources you'll be working with to complete the book's projects, and continues with very detailed explanations and screen shots as you dive right into recording, editing, working with spiral, patches, software instruments, midi, and so much more. No need to be intimidated, of course, if you do something unintended, you can always hit Command-Z! Thanks for a great book that has freed me to have fun with the amazing recording studio that has been lurking in my laptop., So excellent. So helpful. They should knight Mary Plummer. Acquire this book & you can kiss Apple in-store classes goodbye; plus, you can teach yourself at your own convenience. You can also skip ahead to certain parts i. e. " Recording live instruments" as need be. I'm doing that.
I'll say though, that every section has SO many killer insider tips, and only takes an hour, it's best if you do go back and learn them. You will not believe all the cool stuff she has in here.
If you're considering getting pro-tools certified, DEF. read this first, Brotien shake. There are so many wicked tricks and tools, and I've recently been employed in a studio surroundings for a long time. But for the home studio person not switching to Cubebase, etc., doing simple demos, this is soooo helpful., I actually need something that details certain issues which this book does not. It strolls you through the steps needed to record the specific type of project she covers. If you wNg to make use of loops the lady has you covered.
Concerns I face are certainly not protected:
Why does the click track record on subsequent tracks in a project.?
Why the actual effects and automation not work after following instructions to a T?
How do I actually erase unwanted and unused takes?
Will be there a multitrack recording mode?,! easy to understand; well written and arranged. Extremely helpful
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